editing

Learn basic editing with Apple’s Final Cut Pro, an exciting and powerful non-linear editing program that combines professional capability with consumer-level accessibility. This course builds a strong foundation that gets you started with logging, capturing, editing, transitions and much more. Apple computer knowledge is highly recommended. Participants will be expected to edit assignments outside of class either at their own Final Cut Pro workstation or at Scribe.

This workshop is open to all young people ages 11 to 19.

Learn basic editing with Apple's Final Cut, an exciting and powerful non-linear editing program. This course will introduce the basics of the software and provide a strong foundation to get started from importing and logging video footage to editing and much more. Participants will learn to edit using found video footage in the public domain to create video mash ups. Basic computer knowledge is required.

In 2008, indy digital video makers use mixed formats – Standard Definition (SD) and High Definition (HD). How do you marry multiple formats and perhaps even multiple aspect ratios (wide screen, letter box and 4:3) in post-production to create a technically coherent project? Apple’s Final Cut Pro 6 non-linear editing software offers a variety of solutions, but producers must begin with a workflow plan to avoid surprises as they move through the stages of field recording, compression, downloading, setting preferences, editing and outputting to DVD.

Learn basic editing with Apple’s Final Cut Pro, an exciting and powerful non-linear editing program that combines professional capability with consumer-level accessibility. This course builds a strong foundation that gets you started with logging, capturing, editing, transitions and much more. Apple computer knowledge is highly recommended. Participants will be expected to edit assignments outside of class either at their own Final Cut Pro workstation or at Scribe.

Using computers to edit sound! After you’ve done your interviews and made your recordings, learn how to cut them down to size and fit them together into one seamless piece of audio. This workshop will be a hands-on tutorial on using Audacity, a free, open source audio editing program.

Learn basic editing with Apple's Final Cut Pro, an exciting and powerful non-linear editing program that combines professional capability with consumer-level accessibility. This course builds a strong foundation that gets you started with logging, capturing, editing, transitions and much more. Basic computer knowledge is required. In addition to the workshop meetings, individual edit time is required.

This semester-long “how-to” workshop covers all major aspects of film and video production and supports participants in the completion of short individual projects. Bring your project ideas and get instruction in scriptwriting, production planning, digital video, sound recording, lighting and editing. The workshop will meet on Wednesday evenings and Saturdays, with additional time for shooting and editing projects. Participants will work together as crew on each other’s projects. Three instructors, each with their own area of expertise, will co-teach this workshop.

Learn basic editing with Apple’s Final Cut Pro, an exciting and powerful non-linear editing program that combines professional capability with consumer-level accessibility. This course builds a strong foundation that gets you started with logging, capturing, editing, transitions and much more. Basic computer knowledge is required. In addition to the workshop meetings, individual edit time is required.

Learn basic editing with Apple’s Final Cut Pro, an exciting and powerful non-linear editing program that combines professional capability with consumer-level accessibility. This course builds a strong foundation that gets you started with logging, capturing, editing, transitions and much more. Basic computer knowledge is required. In addition to the workshop meetings, individual edit time is required.

As low-cost digital video formats allow videomakers to shoot many more hours of footage, the editor, sifting through all the video and audio elements to find the story, has become even more central to moviemaking. How do you tell a story through the language of editing? What is the meaning of a cut, a dissolve, a fade?