Join Scribe Tuesday, April 30 and Wednesday, May 1 as we proudly present a series of retrospective screenings and a Master Class to celebrate Michelle Parkerson’s groundbreaking film work. Among the first African American women filmmakers to explore the intersections between race, gender, LGBT sexual identity, and class, Michelle Parkerson’s impressive body of work contains portraits of some of the most extraordinary artists of the last half of the 20th century, including the jazz musician vocalist Betty Carter, the a cappella innovators Sweet Honey in the Rock, and the extraordinary poet/essayist Audre Lorde.
Presented in partnership with International House Philadelphia, Third World Newsreel, Women Make Movies, Department of Film & Media Arts at Temple University, Leeway Foundation, and BlackStar Film Festival
a film by Kelly Anderson and Allison Lirish Dean
(USA, 2013, 76 min)
Tuesday, April 9, 7PM
International House Philadelphia
3701 Chestnut Street
$10, $8 students/seniors, $5 Scribe and IHP members
Purchase Tickets Online
Director Kelly Anderson in person
Presented in partnership with International House Philadelphia and Next City.
My Brooklyn follows director Kelly Anderson's journey, as a Brooklyn gentrifier, to understand the forces reshaping her neighborhood. The film documents the redevelopment of Fulton Mall, a bustling African-American and Caribbean commercial district that - despite its status as the third most profitable shopping area in New York City - is maligned for its inability to appeal to the affluent residents who have come to live around it. As a hundred small businesses are replaced by high rise luxury housing and chain retail, Anderson uncovers the web of global corporations, politicians and secretive public-private partnerships that drive seemingly natural neighborhood change. The film's ultimate question is increasingly relevant on a global scale: who has a right to live in cities and determine their future?
Directed and produced by Kelly Anderson and Allison Lirish Dean, and My Brooklyn includes interviews with Brooklyn residents, business owners, journalists, activists, artists, planners, historians, elected officials, and developers. The film has been in production since 2006, and was shot in locations from Downtown Brooklyn, to Williamsburg, Park Slope, and Bed-Stuy. In addition to important contemporary footage, the film features a rich tapestry of archival material, including photographs by Jamel Shabazz from the 1970s, 80s, and 90s.
Mr. Shabazz's photograph of Fulton Mall in the 1980′s is pictured at right.
Kelly Anderson (Director, Producer, Editor) is an Associate Professor in the Department of Film and Media studies at Hunter College (CUNY). She recently completed Never Enough, a documentary about clutter, collecting and Americans’ relationship with their material possessions, which won an award for Artistic Excellence at the Big Sky Documentary Festival. Her other work includes Every Mother’s Son (with Tami Gold), about three mothers whose children were killed by police and who became advocates for police reform, which won the Audience Award at the Tribeca Film Festival and aired on P.O.V. Anderson and Gold also made Out At Work, which was at the Sundance Film Festival and aired on HBO. Anderson is the recipient of fellowships from the NEA, the New York State Council on the Arts, and the Rockefeller Foundation.
Allison Lirish Dean (Writer, Producer, Researcher) has covered arts, culture, and urban planning and policy issues for public radio, and for publications such as The Next American City and Gotham Gazette. Her film production credits include Someplace Like Home (2008), an award-winning video for FUREE, a Brooklyn-based community organization. My Brooklyn grew in part out of extensive ethnographic research Dean conducted about the Fulton Mall as part of a study led by the Pratt Center for Community Development. In addition to her work as an independent media producer, Dean is Communications Associate for PolicyLink, a non-profit focused on equity and public policy. Dean holds a Ph.D. from Brandeis University in music theory and composition, and a masters in urban and regional planning from Hunter College/CUNY, and has served on the faculties of Bronx Community College and Brooklyn College/CUNY teaching both music and media studies and production.
Producers' Forums are supported by the National Endowment for the Arts, Philadelphia Cultural Fund, and the Pennsylvania Council on the Arts
Friday, January 25, 2013, 8:00PM @ International House Philadelphia
Teza (Ethiopia/Germany, 2008, 140 mins), set in Germany and Ethiopia, examines the displacement of African intellectuals, both at home and abroad, through the story of a young, idealistic Ethiopian doctor – Anberber. The film chronicles Anberber’s internal struggle to stay true, both to himself and to his homeland, but above all, Teza explores the possession of memory – a right humanity mandates that each of us have – the right to own our pasts.
Tuesday, February 12, 2013, 7PM
International House Philadelphia
3701 Chestnut Street
Mixing 'documentary' and 'performative' material, Janeane from Des Moines is a political satire about Janeane Wilson (Jane Edith Wilson), a conservative Iowa housewife determined to find a Republican candidate who will take America back from the Democrats. She dives into Iowa Tea Party politics and the lead-up to the Iowa caucus, but a crumbling economy causes her to lose everything she holds dear -- her job, her marriage, her health, and her home. As Mitt Romney, Michele Bachmann, Rick Santorum, Rick Perry and Newt Gingrich criss-cross Iowa during her hour of need, Janeane presses them for answers that she and many of her fellow Americans would like to hear. MORE INFO
Monday, February 11 from 7:00 PM-9:00 PM
In this Master Class, director Grace Lee will discuss the ethical, aesthetic, and practical implications of mixing scripted elements with documentary material. Can artifice enable us to comprehend underlying truths otherwise invisible within a conventional documentary structure? What is the difference between "fact" and "truth"? What is the filmmaker’s ethical responsibility to audience and subject? How does this strategy impact the filmmaking process from development/pre-production to post-production and distribution?
Her film Janeane from Des Moines will be screened on Tuesday, February 12 at 7:00PM.
Presented in partnership with the Asian American Studies Program at University of Pennsylvania, The Greenfield Intercultural Center at University of Pennsylvania, The Pan-Asian American Community House (PAACH) at University of Pennsylvania, Film and Media Arts at Temple University, and Philadelphia Independent Film & Video Association (PIFVA)